It is 1998, an alternate reality where life has been altered ever since the rise of the seven came into existence, changing all life as we know it. In the midst of the birth of what is believed to be God’s second son, a man named Delph awakens from the ruins of what was once Las Vegas, roaming the streets attempting to make sense of his life in this strange existence. Conspiracy, intrigue, and mystery loom over Delph’s existence, and if he is to discover the truth of his existence and his reality, he will have to survive what awaits him.
This is a very interesting series that Robert Windom, Kelvin Mao, and Jae Lee have cobbled together. It asks a lot of questions about religion and the slippery slope that comes with it when it is used as a means of corporate control and force. Other questions that it beckons is how does one’s existence change when there are individuals that exist who challenge the very nature and history of religion themselves. How does that change one’s views on life? How much of it is true? How much of it is a lie? What extremes will people go to prove that their faith is the authentic one? Especially in a time where scripted reality tv shows and yellow journalism and fanaticism, bought streaming sales are king? There are a lot of interesting things to take away from this book. The idea of there being Seven individuals who are believed to be the true sons of God is a fascinating concept, especially with how they use marketing to navigate the world like celebrities that invite fanaticism and challenge.
The story of Delph as he wakes up to this reality unknown and foreign to him, trying to make sense of a world that is filled with gaps in memory. While it may seem like the usual run-of-the-mill first issue that starts off with a little mystery (as any first issue of a comic consists of), what really makes it stand out is the concept and the gorgeous art of the masterful Jae Lee. Jae Lee’s artistic trajectory is ever evolving, so to see him lending his talents to a creator-owned series after years away working for the big two is welcomed. His art is as alluring, mysterious, eerie, and majestic as ever, filled with grit, and sprawling layouts that give an impression of awe. Accompanied by June Chung’s color work, and Simon Bowland’s lettering, they flavourly embellish Lee’s linework with Victorian flair. Even though it is just a first issue, it has an intriguing concept and a strong art team that garners readers interest to invest in something that may be worth their while. If you’re a fan of Jae Lee and Jamie Chung as an illustrator/colorist team, you’ll enjoy the work that they’re delivering here. Add this to your pull list for new comic book day.
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