Toy Review: The Crow Eric Draven 1/6 Scale Resin Mini-Bust (Diamond Select Toys)
Disney’s Ultimate Fans to Enjoy Access to Exclusive Behind-the-Scenes Content and Merchandise
Disney Consumer Products (DCP) will give Disney’s most loyal fans an up close look at an extensive collection of interactive experiences and merchandise that celebrate Disney, Marvel and Star Wars timeless characters during the bi-annual D23 Expo, the ultimate Disney fan event. Held at the Anaheim Convention Center from Aug. 9-11, 2013, Disney fans will have the chance to follow their favorite products from “sketch to shelf” and learn how Disney Consumer Products extends storytelling from character and content extension to product development through featured discussions, art and sculptures and final product displays.
While at the D23 Expo fans will also be able to immerse themselves in exhibits, hands-on demonstrations, special signing opportunities and exclusive product offerings at the Disney Consumer Products Pavilion.
Disney Consumer Products’ exciting lineup of events and attractions includes:
Fans will have the opportunity to participate in other immersive experiences, including: Find Your Voice with The Little Mermaid, a karaoke experience celebrating the music from the film; Journey through the Art of Tink, a gallery where Disney artists, designers, illustrators, and animators from around the world have re-imagined our magical, sassy and feisty fairy, Tinker Bell; What Makes a Puppet a Muppet?, which will help fans learn what it takes to create a Muppets “plush” and then create your own; Take a Ride with Disney•Pixar’s World of Cars and Disney’s Planes, which explains how the highly collectible diecast vehicles are made; Assembling The Avengers Franchise, an exclusive tour through the history of The Avengers and the chance to see the latest The Avengers products; and I heart Mickey & Minnie, a rarely seen collection of beloved Mickey Mouse toys, apparel, and accessories from past decades, along with a showcase of Minnie Mouse-inspired fashions from around the globe.
D23 Members attending the Expo are invited to attend the Disney Store signature store opening ceremony to “Unlock Imagination”, each morning at 9 a.m. at the Convention Center, when the D23 Expo floor opens for members. The 1,800-square-foot Disney Store retail space will be packed with the latest D23 Expo merchandise created by Disney Store and will feature guest artist signings. In addition, guests will find an array of products not yet available to the public, including a Disney∙Pixar capsule collection, which will bring together multiple characters from Disney∙Pixar’s cherished portfolio of films for the first time ever.
Presentations from Disney Store on the Disney Consumer Products Workshop Stage include:
Disney Publishing will take fans into the world of books, apps and everything in between by showcasing how artists, storytelling and innovative content combined creates stories full of magic and adventure. Guests can participate in live readings with Fairy Godmother on Friday, watch artists behind popular Disney stories sketch live on Saturday and get their hair styled like a Disney Princess by Sephora on Sunday with the help of the Disney Princess Royal Salon app. New books and never-before-seen lithographs featuring Peter Pan, Mickey Mouse and Sleeping Beauty will be available for sale inside the booth.
Disney Publishing’s Stage 28 presentations and signings include:
Tickets and pricing information for D23 Expo 2013 are available at D23Expo.com. Admission includes access to all experiences and entertainment at the D23 Expo and can be purchased for single days or for the full three days of festivities. Members of D23: The Official Community for Disney Fans will receive a discount on admission, as well as early entry to each day of the D23 Expo for themselves and their guests. More details about D23 Expo entertainment, events, and special guests will be announced in the coming weeks. Fans can keep up with all the news by visiting D23Expo.com or by following “DisneyD23” on Twitter and Facebook.
About D23 Expo 2013
The D23 Expo—The Ultimate Disney Fan Event—brings the entire world of Disney under one roof, providing attendees with unprecedented access to Disney films, television, and theme parks. For the latest D23 Expo 2013 news, visit www.D23Expo.com. To be part of the D23 Expo conversation, make sure to follow @DisneyD23 and tag your tweets with #D23Expo.
The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official club for fans in Disney’s nearly 90-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at D23.com; and member-exclusive discounts and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 9–11, 2013.
Fans can join D23 at www.D23.com and at www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us @DisneyD23 on Twitter, Facebook, Pinterest and YouTube.
The new teaser poster for Marvel’s Captain America: The Winter Soldier is now available.
Captain America: The Winter Soldier releases in theaters on April 4, 2014!
NEW YORK, NY – July 9th, 2013 – Her Universe™, a leader in female genre merchandise, announced today a license deal with AMC to create a collection of women’s apparel based on the network’s series, “The Walking Dead.” “The Walking Dead” by Her Universe collection, featuring images, characters and phrases from “The Walking Dead” series on fashion tops, leggings, hoodies and dresses, will be available online at HerUniverse.com, San Diego Comic-Con and select retail outlets beginning this summer.
(Boston, MA – July 9th, 2013) — Mimoco® (www.mimoco.com), the Boston-based consumer electronics design studio is preparing for their annual pilgrimage to San Diego Comic-Con, where they will release a series of eight low-run limited edition MIMOBOT® USB flash drives. Week three of Mimoco’s month long lead up to SDCC brings the latest in Mimoco’s co-branded partnerships with Bruce Lee Enterprises and Cartoon Network’s Adventure Time.
The MIMOBOT releases from each property are available in hand-numbered limited-edition runs, with the battle tested Bruce Lee Variant MIMOBOT an edition of 400 pieces, and the Adventure Time Ice King MIMOBOT, a run of just 850 pieces. Both styles are available in up to 128GB capacities, as well as in USB3.0 speeds, and include preloaded bonus digital Mimory® with the MimoDesk® personalization suite of wallpapers, icons, and avatars, exclusive MimoByte® sound software unique to each character, and more content such as TV episodes. A portion of each limited run is now available for pre-order exclusively at www.mimoco.com with the option for delivery on site at SDCC, where the styles will make their first appearance.
Bruce Lee is definitely no stranger to battle. During his years as a teenager in Hong Kong Bruce often got into street fights, so many in fact that the police warned his father that if he got into one more fight they’d have to send him to jail. This is what caused his parents to send him to America, so we should probably be thankful right? But the wounds seen on the battle tested Bruce Lee Variant MIMOBOT aren’t from your everyday tussle with the local street toughs, these are from the undoubtedly most important, influential and epic battle of his whole career. Only 400 battle-tested Bruce Lee Variant MIMOBOTs will be produced.
The princess-loving, trouble-causing baddie star of Cartoon Network’s popular Adventure Time television series, Ice King, whether you consider him a villain with a soft side or a misunderstood anti-hero, is a necessary presence in the Land of Ooo. Though he still would prefer an already existing princess for his bride, he has time and again shown us that he is more than willing to build his own. We invite you to build your own memories and have Ice King MIMOBOT keep them safe for you. He’ll do a good job, he promises, right after this sweet drum solo. Ice King is the sixth member of the Adventure Time’s cast of lovable characters to be transformed into a MIMOBOT flash drive, which includes Finn, Jake, Princess Bubblegum and last year’s SDCC exclusive Fiona, and the more recent BMO Rainbow MIMOBOT LTD.ED. release. Only 850 of Ice King MIMOBOT will be manufactured so hurry before they are forever lost to the frost.
“Both of these releases serve as celebrations,” says Mimoco spokesperson, Steve Jones. “Not only for our company’s eighth year at SDCC, but also for the franchises themselves. It’s the 40th anniversary of Bruce Lee’s untimely passing, while Adventure Time is finishing off its 5th season. We’re proud to be able to represent both of them in the way we know best.”
A portion of both LTD.ED. MIMOBOT runs are now available at www.mimoco.com for pre-order before their official release at Mimoco’s booths in the Toy Grower section (#5338) and in the Star Wars Pavilion (#2913M) on July 17-21 at San Diego Comic-Con International.
To request images or more information, contact Fearghal O’Reilly at (305) 347-1787 Ext 302 or Fearghal.O@greenroomsocial.com
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Boston-based design house Mimoco® fuses the art of contemporary characters with the functionality of personal data storage devices and is well known in both the pop-culture driven Art Toy underground and the high-tech electronic world. The MIMOBOT® USB flash drive line includes original characters and licenses from Star Wars, Hello Kitty®, and DC Comics™, to pop-artists like Gary Baseman, David Horvath, and FriendsWithYou™. MIMOBOT flash drives are available in up to 128 GB capacities, USB2.0 and USB3.0 speeds, are Mac and Windows compatible, and include preloaded bonus Mimory® content. Learn more at www.mimoco.com.
Former CIA black ops agent Frank Moses (Bruce Willis) has spent his life dealing with bad guys. Hand-to-hand combat, diplomatic intrigue, jumping out of moving things, are his tools of the trade. Only when it came to a burgeoning relationship with Sarah Ross (Mary-Louise Parker) did things get shaky for him.
Frank is now content in their quiet life but Sarah is worried that he hasn’t killed anyone in months and that things are getting a little stale between them. She wants to mix things up a little so that their lives are filled with adventure, romance and danger—things they can do as a couple.
Sarah is about to get her wish to “be one of the guys” and Frank learns that keeping the girl is a lot more work than getting the girl and while saving the world can be hard, relationships are ridiculously hard.
Summit Entertainment presents a di Bonaventura Pictures production, Red 2 stars Bruce Willis, Academy Award® nominee John Malkovich, Mary-Louise Parker and Academy Award® winners Anthony Hopkins, Helen Mirren, and Catherine Zeta-Jones. Directed by Dean Parisot from a screenplay by Jon Hoeber & Eric Hoeber and based on characters created by Warren Ellis and Cully Hamner, the movie also stars Byung Hun Lee, Brian Cox, and Neal McDonough and is produced by Lorenzo di Bonaventura and Mark Vahradian.
The high-octane action-comedy sequel to the worldwide hit of 2010 finds Frank Moses and his old partner Marvin Boggs (John Malkovich) still in the not-so-sedate life of retirement, but are now being dragged into a whirlwind as a next generation weapon—Nightshade—from the Cold War that went missing on Frank and Marvin’s watch has apparently resurfaced. And everyone now thinks that the two of them know its whereabouts. MI6 has given Frank and Marvin’s buddy, deadly sharpshooter Victoria (Helen Mirren) a contract to eliminate the duo. In addition, a corrupt U.S. official (Neal McDonough) is sending another contract killer Han (Byung Hun Lee) after them which is music to Han’s ears, since he has an old score to settle with Frank.
Their mission has them hop scotching the globe from London to Paris to Moscow where they cross paths with Frank’s old flame Katja (Catherine Zeta-Jones) and all of them are trying find a long-ago locked away genius scientist Edward Bailey (Anthony Hopkins) who might be able to unravel the mystery of Nightshade, save themselves and save the world.
The filmmakers were cognizant that in order to hold onto the comedic elements of the story they had to commit to the action and adventure first and then “the concerns of the characters which at times seem ludicrous become believable,” says director Parisot. “The structure is of an action movie but the characters are comedic because they can’t resolve their absurd issues which are happening during a lot of extreme violence.”
While the movie is filled with exotic locations, a scintillating car chase through Paris, and action galore, at its core it’s a relationship movie and the difficulty of lifer in the Black Ops game (Frank) and him wanting to do the right thing keep his fragile china doll (Sarah) safe. She wants the opposite and finds an ally in Marvin.
“Frank is ill-equipped to handle a basic relationship and Marvin is only too happy to dispense advice on how to make a relationship work, yet there’s a good chance Marvin knows nothing about the subject,” says Willis.
“The old adage ‘a stopped clock is right twice a day’ is applicable here because Marvin is most likely idiotic about relationships and any knowledge he thinks he has probably came from a self-help book because I can’t see Marvin in a relationship,” notes Malkovich.
Frank gets a more sophisticated and educated angle on relationships from Victoria who is well versed in mixing work and romance. “I think Victoria is in charge of Frank’s emotional life to a certain extent,” says Helen Mirren who reprises her role as Victoria. “Marvin may advise Frank, but Frank pays attention to Victoria who actually has had relationships in the context of her work. “She’s balanced in a strangely perverse way but understands that you could die at any time, so you have to commit and move forward,” notes Parisot.
“The great thing about all these characters is that while they lead the most extraordinary lives they have very ordinary problems and are saddled with the same inefficient inadequacies that the rest of us have,” says Mirren.
On the other hand, Sarah, while more emotionally stable, is not all together when it comes to her spy skill set. “She’s not a good liar; not very crafty and just doesn’t have a lot of valuable traits at her disposal,” says Parker. And when she meets Frank’s ex-flame (Katja) and sees the polish sophistication and sheer sultriness…Well, Sarah has her work cut out for her. “She just wants to be one of the gang and for a while all she can fall back on is her earnestness.”
“From the beginning, our goal was to provide the audience with a bigger, more expansive experience than the first movie,” says producer Lorenzo di Bonaventura. “But one of the dangers with sequels is that they can get too silly and soft and Bruce and myself were very cognizant of that during the development. Frank Moses is still a hard guy who’s going to pull a gun before he asks a question and Bruce was always grinding, pushing, analyzing because he wants the best out of the movie.”
What remains from the first movie, however, is the almost retro feel of the dialogue between Frank and Sarah. “Bruce and me always thought that our interplay should have a 1930s screwball comedy feel to it,” says Parker.
The interplay between the two actors gave Parisot a lot of options in the editing room: “Mary-Louise and Bruce play off of each other so brilliantly that I chose to go with a lot more two-shots than singles because I didn’t want to cut away from either of them,” says Parisot. “It’s a lot like the chemistry of the old Tracy-Hepburn movies and it was great fun watching them on set get to a fantastic place in the scene.”
With Morgan Freeman’s character dying in the first movie, the creative team had a challenge of more than just setting scenes in London and Paris; they needed firepower within the story and the cast to fill it. “We have powerhouse actors with Bruce, Mary-Louise, Malkovich, Helen and Brian Cox from the first movie, so we have to cast actors who can hold the screen with these folks and also create roles that challenge everyone as actors,” says producer Mark Vahradian.
Without tripping the gag on Anthony Hopkins’ character of Edward Bailey, Hopkins reached back into British history to create an armature for his character. “Tony was sending me emails a couple months before production trying to create this character and it was detailed as to what shoes Bailey would wear,” recalls Parisot. “He reads the script over and over and slowly evolves a character that is so much more than what was written.”
“I do go a bit overboard in reading the text… at least a couple hundred times,” says Hopkins. “But I do it so that I have a framework for improvising because you can open your brain up and not worry about the text because you know it cold. That’s when acting gets fun,” says Hopkins.
Zeta-Jones took the cliché of the female Russian spy and turned it on its head by adding comedy and quirkiness to tilt the character. “My goal was not to make it one dimensional—the type we’ve seen in Bond movies,” she notes. “When I read the script the first thing I did—well, after saying yes—was to go through scores of fashion magazines and send them off to Dean so we could visualize what Katja was about.”
Her scenes on the streets of Paris certainly were worthy of the iconic reputation the city has won for its history of fashion. “There was something wildly intense and eccentric what Catherine wore for the scene where she and Bruce’s character track down David Thewlis’s character of The Frog,” says Parisot. “Along with our costume designer Beatrix Pasztor, the two of them found the character in the wardrobe.”
David Thewlis also starting working on his character of The Frog in pre-production by sending Parisot photographs. They settled on a James Joyce look for his character of The Frog, a misanthrope who has the goods on any and all nefarious activity around the globe. He uses his ill-gotten knowledge to fund his devotion to the most expensive wines.
The anticipated sequel began production Sept. 14, 2012 in Montreal at the Olympic Stadium. Built for the 1976 summer Olympic Games, the facility, like nearly all the multi-use stadiums built in the United States during the 1970s, is rarely used. The concrete dominated structure’s concourses have a very “bunker-like” look, so it dovetailed nicely with the need for the British government’s MI6 secret location.
Production continued for 14 shooting days with locations including a spectacular home that doubled for “The Frog’s” Paris apartment. Built in 1914 by famed architect Jean-Omer Marchand it is located on Wood St. in Montreal’s fashionable Westmount section. Other Montreal locations include a former branch of the Royal Bank of Canada in Old Montreal; St.-Andrew’s church in Chateauguay; the opening scene of the movie was shot in a Costco; the City of Montreal’s Finance Building stood in for the Kremlin’s headquarters and north of the city in St-Colomban was the set for Hank’s Internet Café, which 30 years earlier was the resort the Colford Inn.
Five scenic days were then shot in Paris (as opposed to movies which will have an establishing shot of the Eiffel Tower, then cut to interior shots).
“It was important to us to shoot in Paris,” notes di Bonaventura, “because Paris gives a sense of romance and the romance between Frank and Sarah is looking for its footing. She wants adventure and to be in Paris on a mission is beyond romantic for her.”
The city was also chosen because it’s the place where Frank and Katja see each other for the first time and it gives an insecure Sarah a reason to “up her game” and buy clothes in Paris to at least try and close the gap between her and her perceived rival.
The first day, October 10, was in front of and inside of the Hotel Regina, facing Jardin des Tuileries (The Tuileries Garden) and the Louvre immediately around the corner. A couple hundred onlookers watched from the across the street and for the day the shoot became yet another tourist attraction in Paris.
Much of the Paris shoot revolves around a car chase involving the characters of Willis, Malkovich, Parker, Zeta-Jones and David Thewlis’ quasi-man-of-mystery character “The Frog” on Pont de la Tournelle on the east side of the majestic Gothic masterpiece, Notre Dame. A specially retrofitted Citroen was rigged so that it could drive down the steps to the bank of the Seine.
On October 12, the car chase sequence moved to neighborhood in the shadow of the Pantheon on Rue St. Etienne du Mont on the Left Bank and a day later moved around the corner to Rue de la Montage Ste Genevieve which the locale for Midnight in Paris when Owen Wilson’s character caught his nightly other worldly taxi tide. For Red 2 the scene of Frank and Katja reminiscing over a dinner at an outdoor café was mere yards from the Woody Allen movie. “When we scouted the location it was during the day and it was not until we came to shoot at night did we realize where we were,” notes Parisot.
The company moved on to London with the first scene shot featuring Willis, Malkovich, Parker and Mirren on a Thames riverboat cruise. London’s Fishmonger’s Hall was utilized as the Iranian embassy in its courtyard and the ornate Banqueting Hall.
A street in Moscow was created on October 27, a quiet Saturday in the shuttered financial district in central London that, appropriately enough, had a chill factor in the 20s when the day began.
Closed since 1994 as the realization that the Cold War was truly over, RAF Upper Heyford in Oxfordshire posed as a Russian airfield with the Dunsfold aeropark (another shuttered RAF base) the locale for the German airfield.
The scenes that take place in Paris’ Hotel George-V was done with a variety of London locations; the Langham Hotel, the stately Hedsor House in Taplow and the Luten Hoo estate which has been used for such movies as Four Weddings and a Funeral, War Horse and Eyes Wide Shut.
The inner sanctum of the Kremlin was built in East London at Tobacco Dock. Built in the early 18th century as a warehouse for the storage of tobacco from the New World, the most recent incarnation of the building was a shopping mall until it shuttered a few years ago. The ground floor of arching brick passageways made it ideal to give of a sense of foreboding for the scenes.
The most iconic character in the X-Men universe embarks upon on an epic journey in modern-day Japan in The Wolverine. Inspired by the celebrated Marvel comic book arc, Logan (Hugh Jackman), the century-old mutant known to the world as Wolverine, is lured to a Japan he hasn’t seen since World War II – and into a shadowy realm of Yakuza and Samurai.
Suddenly finding himself on the run with a mysterious, beautiful heiress and confronted for the first time with the prospect of true mortality, Logan will be pushed to the physical and emotional edge – further than he’s ever been. On a perilous journey to rediscover the hero inside, Logan will be forced to grapple not only with powerful foes, mutant and human alike, but with the ghosts of his own haunted past, as well. As The Wolverine crosses his adamantium claws with Samurai swords, striking out through a maze of love, betrayal and honor, he will truly come to know the price of a life without end.
“This story takes The Wolverine into a world that is vastly different from any seen before in the X-Men series,” says Hugh Jackman, who also serves as a producer on the film. “It’s visually different and the tone is different. There are a lot of battles in this story, but the greatest battle of all is the one within Logan between being a monster and a becoming a human being.”
The Wolverine first emerged in 1974, when the character made his premiere appearance in the very last panel of an issue of The Incredible Hulk — one that foreshadowed his joining the band of mutant heroes known as The X-Men. He would soon be world-renowned for his adamantium claws, his powers of self-healing and his primal “berserker” rages – all of which would serve to forge The Wolverine into a superstar of the superhero realm.
In the 1980s, The Wolverine truly came into his own – in a four-issue miniseries created by “X-Men” writer Chris Claremont and the legendary graphic artist Frank Miller (“The Dark Knight,” “Sin City”). In the series, the character makes a solo journey to Japan, only to be lured into a maelstrom of crime, betrayal and honor, in the midst of which he is forced to confront both his terrifying strengths and his undiscovered vulnerability. Trying to maneuver in a world he can barely understand, The Wolverine, for the first time, finds his inner sense of justice.
Long a favorite of fans of Wolverine, the arc had also been an inspiration for Oscar®-nominated actor Hugh Jackman, who has embodied the character in six blockbuster X-Men movies (and is currently before the cameras in a seventh film). Jackman saw in this untold part of the character’s history a rare chance to dive even deeper beneath The Wolverine’s indestructibility, and to illuminate his darkest aspects in a new way.
That desire got a boost when Jackman teamed up with James Mangold, who had previously turned the story of Johnny Cash into a riveting account of love and rebellion in Walk the Line, and re-jiggered the classic Western 3:10 to Yuma into a contemporary cat-and-mouse game set around mythic themes of friendship, duty and destiny. He was the right choice to bring a new view to The Wolverine, and to take the character outside the usual conventions of the X-Men storylines.
“Jim Mangold knows how to make a movie that is fun, has incredible action, and yet also delivers all the finer elements of character and storytelling,” says Jackman. “He pushed me to go deeper, angrier, heavier, more berserk in every way and in every take.”
From the start, Mangold wanted to break the mold of the comic book-based film. Explains the director: “What interested me about The Wolverine was doing something quite different from the standard superhero movie, where it’s about stopping a villain’s diabolical plot. In this story, the action and suspense are built more on character, and are woven into a world that makes for a completely different kind of experience, one that you haven’t seen before.”
Though characters from Wolverine’s past are brought into the mix and there are allusions to what he has gone through in his previous adventures, the focus is on an alternate track from the X-Men movies.
“When you’re making a movie about a team of people like The X-Men, there’s only so much you can get inside their heads,” notes Mangold. “But this film is able to really get inside Logan, to explore who he is and the sources of his rage. He’s someone who has been used by the Defense Department, by the government, by enemies, by villains, even by loved ones. And over time his anger at that has grown, only to be multiplied by his natural, preexisting feral quality. Yet, within this story, he begins to he learn how this rage might be able to fuel and empower him.”
Ultimately, Mangold began to see the story more as an unflinching thriller about a man with a dark past searching for his future identity, than as something from a fantasy comic-book universe. “I think one the things that will most surprise people about this film is how real it is, how much you completely lose yourself in this world, in the action, the drama and the romance,” he comments.
Mangold was especially drawn to the uncertain junction where Logan finds himself at the beginning of this story: he’s been down many dark roads, feels he has lost or damaged nearly everything he loved, and is unsure if there is any path left to redemption. The one thing he has going for him is his immortality. But even that may be more of a curse than a blessing.
“One thing I find particularly interesting about Wolverine is his immortality, the fact that with his healing factor he can go on forever like a god, and because of that he also experiences the loneliness of a god. Even when Logan loses those he loves, he knows that he will keep going on,” Mangold observes. “He’s been going on for a century now, through wars and battles and deaths of his loved ones and he’s come to a point of great weariness. It’s a classic theme – the man who can live forever but suffers because of it. Logan is a damaged hero, and this story is very much about him looking to reclaim something he’s lost in himself.”
Mangold embraced the opportunity to take Logan directly into the heart of present-day Japan, which is as full of sleek, high-tech modernity as it is rife with deep traditions and hidden codes of honor. “This story takes Logan into a kind of fever dream of today’s Japan, full of Yakuza, Ninja, Samurai, Industrialist crime, mystery and mysticism,” the director explains.
The Japanese setting allowed Mangold and Jackman to re-imagine Logan in a fresh guise: as a Rōnin. “In feudal Japan, the Samurai belonged to a master, and a Rōnin is a Samurai who no longer has a master to serve. So, he is a kind of a warrior without a purpose, without a cause,” Mangold explains. “Many of the people who made Logan feel part of a cause are now gone. So, he’s essentially a lost man, capable of doing anything, with no mandate. That’s an iconography that American Westerns and Samurai films share and now we’re bringing a comic book character into it.”
Juxtaposed with the beauty of Japan are intense action sequences, ranging from accelerating bullet trains to the towering menace of The Silver Samurai. But here, too, Mangold wanted to explore beyond the usual boundaries. “We were always thinking about pushing the envelope with the action and the visuals,” he says, “but doing so in a way that you never lose the sense that what is happening is very real.”
The entire production team was excited to be doing something unusual with a character that has become so beloved. Joining Jackman as producers on the film are Lauren Shuler Donner, who has been a vital part of X-men movie history from the very beginning, and Hutch Parker, who worked together with Donner to support Mangold’s vision.
“This really is the quintessential Wolverine story,” sums up Parker. “It takes him on a deep journey. It mines the essential conflicts within him. It challenges him, both physically and emotionally, in ways that we have never seen. It takes us into a Japan that is very real yet alien to us.”
Parker sees Mangold’s approach as a strong fit with the material. “Jim has built on what has come before in his own way,” he concludes. “He wanted to make this world viscerally real and was willing to not just show Wolverine’s rage but to answer the questions of why.”
BOOM! Studios is pleased to unveil their newly redesigned website (boom-studios.com) today. Beginning today, fans will find a fresh, modern look with an easier-to-navigate interface along with more social media integration.
The new boom-studios.com was designed by At Play Creative, the same design agency responsible for the redesigned BOOM! Studios logo that debuted earlier this year. The design team, led by Founder and CCO Gary M. Smith, worked closely and collaboratively with BOOM! to deliver a design that showcased the comic art first and foremost. At Play clients include ABC, Disney, and Hasbro among others.
In addition to a comprehensive online store, the relaunched website incorporates live feeds from BOOM!’s Twitter, Facebook, and BOOM!Pen Tumblr on a new Trending page with spotlighted Featured posts. The site includes information for Press and Retailers, with more to be added in the future. An Events page adds an easy reference point for all BOOM! convention appearances, signings, and launch parties.